![]() Painting the picture of an unravelling relationship, it gradually crescendos, climaxing in the gut-punch couplet of “And you call me up again just to break me like a promise / So casually cruel in the name of being honest”. But it’s ‘All Too Well’ that’s the finest moment on ‘Red’, and possible the greatest song Swift has ever written. Meanwhile, ‘The Last Time’ (featuring Snow Patrol’s Gary Lightbody) showed a more mature sound with its grandiose alt-rock guitars and soaring melodies. ‘I Knew You Were Trouble’, with its swift-step breakdown, saw her signature sound infused with trendy dance production (and let’s be honest, it slaps). ![]() The brilliantly snarky ‘We Are Never Ever Getting Back Together’ (Swift’s first ever Billboard 100 number one) and fizzing ’22’ are stone-cold smashers. On ‘Red’, Swift began her transition from country crossover artist to creating glossy, mainstream pop.
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